A MUCHA PROJECT |
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This Poster for Societe
Populaire des Beaux-Arts was printed in 1897. The artist, Alphonse Mucha
(1860-1939). The poster was browned with acids and dirt. Tho we gave it
an acid treatment and bleaching, the browning mostly remained. The owner
decided to have it backed anyway. |
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After a cleaning and bleaching
I applied the paste to the back of the poster. |
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After an absorbtion duration,
we apply the poster to the acid free paper and canvas |
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I then roll it out, get
rid of air pockets. |
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Then wash off the surface
of paste and correct paper irregularities. |
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As the poster dries over
several days, we can begin to see the Lithographs true remaining colors.
I begin to consider color application options. |
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I decide to use water color,
both dry pigments and some wet/dry brush techniques to achieve the look
appropriate to Mucha and others of his era. |
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The color slowly emerges,
For color references I use many different catalog reproductions and try
to find an original print to look at if practical. |
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All of our materials are
water based, archival and reversable. Chris Cloutier has been an artist
from the age of 5, currently a Painter in Oils, he has restored art since
1989. |
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Societe Populaire des Beaux-Arts
: "This society was founded by a Paris Lawyer, edmond Benoit-Levy,
in 1894, with the purpose of popularizing art by holding latera magica
shows- what we would call today a slide presentation.... One of Mucha's
traits was to personnify ideas in supernatural beings who interacted with
ordinary people... Here the lovely female with the flamboyent crown of
hair, leaning on the projection machine, symbolized art instruction by
means of slides, while the young man in the foreground is a student" (Rennert/Weill
p. 116). Mucha uses an abundant amount of gold ink in the hair and eleaborately-wrought
frame. |
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